Eight presets store the number of nodes and a host of other parameters such as screen graphics, amount of inertia, and the function of an optional ribbon controller at the bottom of the screen.Īn iPad is ideally suited for multi-touch editing of Live mixing and device controls. You can also move them all by dragging the central object. You can drag Konkreet Performer's nodes individually or collectively using different fingers. I found that app switching on a single iPad works very well. If you have access to two iPads or don't mind switching apps on one iPad, you can run them simultaneously.

There's a split-screen interface: any section (Clips, Mixer, Devices, Keys or Pads) can occupy the top or bottom half of the screen or take over the full screen.įortunately, you don't have to choose between these two excellent applications. TouchAble has a more fully featured mixer, a plug-in device editor, and includes transport controls. This may sound inconvenient, but it allows any touch inside the matrix to be instantly interpreted as a trigger action, which makes it faster to trigger multiple clips and allows clip launching with a one-finger drag across several adjacent clips. Resizing (two-finger spread and pinch) and scrolling (one-finger drag) the clip matrix takes place in header bars at the top and right edges of the screen. Griid Pro gives top priority to clip and scene triggering. As far as clip and scene triggering goes, you can ignore your computer.Īdditionally, both TouchAble and Griid Pro also feature on-screen mixers Griid Pro has a MIDI clip editor, with which you can even create new clips and TouchAble features an XY Pad page with four inertial XY controllers that you can freely assign to Live device and mixer parameters. Both display clips with their colours and names, let you scroll through the clip matrix triggering clips and scenes by touch, and show each clip's progress as a loop or one-shot. Hidden behind the transport controls (tap the TRSP button at the bottom right to reveal them) you'll find selectors for TouchAble's MIDI keyboard, MIDI pad and XY Pad.TouchAble ( $24.99) and Griid Pro (, $24.99), offer elegant solutions for Live clip triggering that solve all of these problems. The right edge of the display shows the view selector at the top and transport controls at the bottom. TouchAble's clip matrix occupies the top half of the screen and the device editor the bottom half. And button boxes lack the visual feedback of the current playback position in a loop or one-shot clip that can be essential for making accurate transitions. Using multiple button presses to navigate a session with large numbers of tracks and scenes can be awkward. Even when your computer screen is in view, locating the button associated with a clip is not instant. When you use a button box such as the Novation Launchpad or one of the Akai APC-series controllers for launching clips, visual feedback tells you only which clip slots are occupied and which of those are playing. Note that although I've concentrated on the iPad for this article, many of the applications covered have iPhone and iPod Touch counterparts. This month I'm going to have a look at several iPad Live controller apps and what they do, and give an overview of what's available. If you already have a hardware control surface for Live clip launching, mixing and device control, you may wonder what more iPad apps have to offer. Touching one or more clips, or dragging horizontally across adjacent clips, triggers them in sync with Live's clip-quantise setting. Griid Pro's scrollable and resizable clip-triggering matrix is zoomed out here to show the maximum 11 tracks by 12 Scenes.

Ipad ableton live controller